gsmichaels
ARTIFACTS

Artist's Resume

Artist Glenn S. Michaels in the News!

MAKER'S RESUME

Glenn Scott Michaels
Phoenix, AZ 85007 

gsmichaels@yahoo.com

A Maker's Statement:

I make artifacts.

Artifact, derived from the Greek words for skill and making or forming, neatly conveys the intention to join meaning and form synergistically, either for personal pleasure or for the edification of a larger community. The very format of the word, artifact, is tremendously suggestive: art is fastened to fact by an i. The i is, metaphorically, the hinge that enables articulation. It represents the creative consciousness.

My i is no longer young. This little it has noted:

·        Most don’t notice. Some look. Fewer observe. Fewer still see. Hardly any think it really matters. It matters.

·        Much is not clear. Much that is clear now will prove to be an illusion, later. Conversely, the illusory is generally clearer and more easily known than that which passes for certainty.

My artifacts are a record of what my i has observed. I received them as gifts and offer them in the same spirit.

 
 


Exhibitions & Galleries

12/2011 Phoenix Center for the Arts. Juried show: Emerging Artists (Drawings/Paintings). Edna Dapo, Curator.
11/2011 Herberger Theater Center. Juried show: End of an Era? Start of a New Age? (Bronze) James L. Covarrubias, Guest Curator.
10/2011 American Art Collector. (Bronze) Jurors: California College of Arts Instructor Howard Eige; Gallery Owner, Jan Christensen-Heller. Alcove Books. www.alcovebooks.net. 
02/2007 San Diego Unitarian Church Gallery/2 person show, San Diego, CA
2005 Paulina Miller Studio Gallery. Art Detour Group Exhibit, Phoenix, AZ
2000 Imagine Art. Solo exhibit. Sedona, AZ
1999 Paulina Miller Studio Gallery. Two-person show. Phoenix, AZ
1999 Nat’l Conference on Peacemaking & Conflict Resolution Art Exhibit. Phoenix Civic Center. Curator: April Richey
1999-2002 Arizona Biennial ’99. Tucson Museum of Art. Juror: Louis Grachos, Director of SITE Santa Fe. (Touring show sponsored by the AZ Commission on the Arts)
1999-2002 Rings of Time: Wooden Visions of the Millennium. W. Valley Art Museum. Juried show. Sun City, AZ. (Touring show sponsored by the AZ Commission on the Arts)
1997 Gang Gallery. Group exhibit. NYC, NY 1997 Gang Gallery. Solo exhibit. NYC, NY
1997 Planet Earth Gallery. Two-person show. Phoenix, AZ
1996 GASP Gallery. Two-person show. Juried selection. Tucson, AZ
1996 Arizona Cosmetic Surgery. Two-person show. Juried selection. Juror: Barbara Kemp Cowlin
1995 Artists and Paper. Prescott Fine Arts Association. Juried show. Prescott, AZ
1995 La Phoenixquera XV. Mars Artspace. Juror: Marilyn Zeitlin (US Commissioner for the Venice Biennale) Phoenix, AZ
1995 Artists on Canvas. Prescott Fine Arts Association. Juried show. Prescott, AZ
1995 Vistas 1995. Church of the Beatitudes. Juried show. Merit Award: Painting. Phoenix, AZ
1994 Landscapes of the Mind. Casa Grand Art Museum. Juried show. Casa Grande, AZ
1994 Planet Earth Gallery. Group Show. Phoenix, AZ
1993 5th Biennial 7-State Juried Exhibition. Dinnerware Artists’ Cooperative Gallery. Tucson, AZ
1993 Vistas 1993. Church of the Beatitudes. Juried show. Merit Award: Mixed Media Drawing. Phoenix, AZ
1991 Arizona: A Decade in Perspective. Juried Show. Arizona State University. Scottsdale, AZ
EDUCATION

1972 - 86 University of Michigan, Residential College (Ann Arbor) BA Creative Writing

1980-81 Center for Creative Studies. Fine Art/Industrial Design. Detroit, MI


1990 Studio Art Centers International. Painting. Florence, Italy
PRIMARY INFLUENCE

Professor of Art William (Bill) Girard, Royal Oak, Michigan (formerly with the Center for Creative Studies, Detroit)
SPECIAL THANKS

Sarkis Sarkisian, Artist, Art Instructor & Former Director of the Art School of the Detroit Society of Arts and Crafts, which later evolved into the Center for Creative Studies.

ARTIST'S BIO:  SELF-PORTRAIT IN MYTH 

(Dedicated to -- the memory of -- Janus Miller M.Ed.)

An angel fell, perhaps Lucifer, the fire carrier. Or maybe Icarus, who brushed the sun.

A dog barked and whirling in mid-air, splashed a window into diamonds, then disappeared. 


The Poet keened. The Artist wept. Another child crept from dust to paradox. The doors of mystery spread uncompromising arms. The envelope sealed itself.


There is no hunger like birth and all the relatives came to the feast. The table buckled beneath the silver and the salads. While memory limped off in search of empty plates long since locked away, the honored guests helped themselves to fruit and cake, eating with their fingers.


Innocence was still born, that is, born anyway, despite the immolation of the hallowed hosts in swamps so deep with sorrow that only bootless hunger had walked away alive. Hunger had married a mirror.

Innocence, a confluence of famine and privation, grew thin and polished, like army boots, whose black skin, baptized by sputum, bleeds reflected light.

 
Shattered by visions it could not reflect upon in safety, the mirror leapt from the roof. Twice, the story goes. But Humpty-dumpty, who brooks no competition, insisted that the mirror reassemble itself. This it did, though scars accuse it still. Hunger is a super glue.

Thus Innocence grew up an orphan, though its parents had only almost died. Wandering from book to book, Innocence banished the reality of paradox for the clarity of make-believe. Belittled and belabored, benighted and bedeviled, our Orphan - blind with visions - somnambulated through the house of flames to the cottages of the misbegotten, on the urban edge of the city of contempt.


As flames
leapt from that city and the palisades were drawn tight, the misbegotten befriended our Orphan. Black skins and black souls, all have light in common. There is no safety in numbness.

Light and hunger. Hunger and light. The dance of the Orphan on the shifting soils of a mobius world brought it to the land of crosses and , eventually, the land of kraut. Hungry, starving, famished beyond speech, the Wanderer fed on the sanguine fruit of a maculate face. Screaming like a cannibal harvesting itself, it plunged relentless knives deep into the moist meat of inherited flesh for the pleasure of expiation.


How the light burned this razor shriven roast. Maddened by light, hungry, hungry, the Wanderer fled to mirrors for forgiveness, which mirrors cannot give but only share.

 
High upon a precipice, where lepers go to cast dice with Neptune, our whittled Wanderer sought the succor of a smarmy salesman. Pierced and helpless with secondhand tears, the Wanderer discovered the Holy Grail, the chalice chased with gold and stars, bright as a mirror, clear as light: the song that seekers sing while smiling at sobriety.

The quest. The quest. Between light and hunger, hunger and light. Through doors too narrow for monsters and gates too great for the weak, dealing death to miasma myths in the labyrinthine courts of misanthropism and fear -- hunger’s ancient hold.


Full of incantations, quivering with song, the Magician hung himself to dry beneath a gibbous moon.

I would like to acknowledge special individuals whose contributions have my efforts possible.
Norma Escandon Michaels, ASID
Michael M. and Delphine F. Michaels
Professor of Art William Girard; Royal Oak, Michigan
George Caramanna, CPA and artist; Scottsdale, Arizona
Clinton Hobart, Artist; Arizona & Massachusetts
Mollie Kellogg, graphic designer, creative director, artist; San Diego, CA
Melinda Vail, counselor; Phoenix, Arizona
Aleda Richter-West, MSW.; Phoenix, Arizona
Zane Bell, entrepreneur; Phoenix, Arizona
Brenda Burns, Methodist Childrens Village social worker @1966; Michigan
Mr. Schultz, MA educator; Michigan
My ancestors, patri- and matrilineal
All those whose efforts have brought me the opportunities I enjoy



 
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